His rework of “Autumn Leaves” contains an eclectic, soulful introduction before he breaks into the slow, subdued jazz standard. In Scenery, Fukui provides listeners a refreshing take on some jazz classics, like “Willow Weep For Me,” “Autumn Leaves” and “I Want To Talk About You.” While he relies on the works of other musicians, he has an undoubtedly unique take on every song. Artists are free to stitch together a variety of styles and sounds effortlessly, affording them a significant level of creativity and improvisation. Jazz’s liberating nature separates it from other genres of music. ![]() When listening to Scenery, it’s hard not to think about the countless other potential works of art that the Western musical zeitgeist has failed to account for. Ryo Fukui had all the material to make a similar impression on the world of jazz with the modal masterpiece that is 1976 ’s Scenery, but among some of music ’ s biggest injustices, the lack of a global stage for musicians of Fukui’s ilk is one of the most unfortunate. Duke Ellington showed us the wonder and joy to be had with a big orchestra. Louis Armstrong helped us find fun in swing. If you believe that any review contained on our site infringes upon your copyright, please email us.Thelonious Monk taught us the beauty of improvisation. ![]()
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |